WebDec 6, 2012 · Posts: 898 Posted: Thu Dec 16, 2010 12:39 pm Post subject: Yes, I have the first photo taken before cleaning, and was very sharp, but was an element with a layer of oil. In backlight was very wrong. Then that changed. After that I noticed that he lost sharp, the entire frame. Logically, it is more evident at the edges. _________________ WebEntdecke Rollei Rollenar-MC 28mm f/2.8 Wide Angle Lens QBM Mount 35mm SLR in großer Auswahl Vergleichen Angebote und Preise Online kaufen bei eBay Kostenlose Lieferung …
Pentax - A SMC 35mm F/2.8 - Lens Review - Casual Photophile
WebThe Rolleiflex SL35 manufactured by Rollei introduced yet another bayonet mount when launched in 1970. This bayonet mount was used on all Rollei's 35mm SLRs, and on most of the Voigtländer VSL models. This lens mount is sometimes called QBM for Quick Bayonet Mount. There were three versions of the lens mount. WebRolleiflex SL35 Rolleinar 35mm f2.8 Ilford HP5+ Camera: Rolleiflex 35E Lens: Rolleinar MC 1.4/55mm Film: Kodak Gold 200 Developed in Rollei Colorchem C-41 Digitized with a Panasonic Lumix GH4, 30mm Macro Meine ersten Bilder im Innenraum mit dem Rolleinar 1.4/55mm, das eigentlich von Mamiya in Japan gebaut wurde. Ein schönes Objektiv ... ray watson winchester ky
Contax G Biogon 28mm 2.8 レンズ(単焦点) 宅配 …
WebSep 16, 2024 · Rollei Rolleinar-MC 135/2.8 It is hard to find a bad 135mm legacy lens – at least that’s what the internet says. There are guides and comparison for them, but I was … WebThis SMC Pentax-A 28mm f/2.8 has a pale yellow index bump, bright orange scale index and IR index, deep orange for 10 feet, 3 meters and f/8, blue for feet, yellow for meters and white for what's left. It works great. It's easy to focus, has great evenness of illumination even wide open and great center sharpness at any aperture. WebJun 12, 2024 · Portraits, especially, off the 4×5 move me. The only other camera that has the same ‘gasp’ hit rate for me is my Hasselblad 203FE with the Zeiss 110mm f/2 lens (shot wide-open as well, of course). My Nikon D3x with the old Mamiya 80mm f1.9 was close, as long as I cropped to the 4×5 ratio. I always hated the 2:3 ratio of 35mm film. ray watstein attorney sharon ma